A chance ray of sunlight lit this rose, making it pop from the surroundings.

Chiaroscuro

I continue my exploration of chiaroscuro.

This is a Renaissance painting using chiaroscuro:

Directional light

I took these photos yesterday between rain showers. One typical feature of chiaroscuro is the light coming from a specific direction. In this case the sky was a mix of dark clouds and blue, when the sun hit a break in the clouds it came between some nearby trees.

Detail in the bright areas

Another feature is that the brightly lit subjects have a lot of detail. Since I wanted detail in the highlights I chose what some would consider an under exposure (I used the P mode and set the exposure compensation to -0.3) and made sure the depth of field was great enough to get the whole flower. The settings were F 4.0, 1/320s and ISO 100 the focal length was 8.8 mm (24 mm 35 mm equivalent).

High contrast between the lit subject and the dark surroundings (a.k.a., tenebrism)

I used Raw Therapee to darken the shadows without loosing detail in the highlights.

Moving the photo into the GIMP, I made a duplicate layer of the image, switched the duplicate to multiply blend mode, adjusted its opacity then used a tone curve on the resulting image to fine tune the contrast.

For Jez’s Water, Water Everywhere and Cee’s Flower of the Day.