Tag Archives: CCYC

Contrasting Texture

This post is a response to Cee’s Compose Yourself Lesson:Black and White-The Basics. After reading her essay I spent the month paying a lot more attention to contrast and texture than I often do.

I also began to experiment with Lightroom’s black and white presets (there are over 20 black and white presets that come with the software!) I am actually working on an exercise to take a few sample pictures and process them with all of the presets so that I get an idea of what they all do. I may put that onto Flikr when I get it done, in case anyone else out there is as overwhelmed yet curious about them as I.

But I digress: Cee’s challenge for this month is about the initial composition, not post processing. Here are six pictures, out of  the heaven only knows how many I took this past month, where I thought that contrast and/or texture was essential to the composition. I used the one-click color to black and white in Adobe Lightroom. Some of them came out well and others less so.

Pair #1:

The textures I noted in the original were the shingles on the walls of the station, the clouds on the horizon and the shininess of the roof and pumps. Unfortunately the clouds don’t have enough contrast to show up in the black and white, and the electric wires really jump out and compete for attention with the handle, spout and roof of the station. In the color picture, while they are annoying, the red stands up to them a bit. Although I am not very skilled at the editing process I prefer this  image where I removed the high contrast electric wires:


Pair #2:

For this pair I prefer the black and white. Black and white brings out the contrast of the chalk on the boards listing the prices, the stripes caused by the light on the corrugated siding  which contrasts with the plain black of the chalk board signs and the round shapes of the fruits. It seems like this is an example of the composition points that Cee made.

Pair #3:

In this case there is not a lot of contrast between the color and black and white versions. The one thing that black and white does for you is to remove the contrast of the fairly bright green of the maple seedling that draws your eye to the bottom of the screen in the color picture. There is both textural and darkness contrast between the fern and the earth. The regularity of the fern’s geometry and its arrow like shape show up well in black and white.

Pair #4:

This fine fellow looks great in color or black and white. His feathers have a texture that define him (or her) against the fence and tree. The focus of the picture helped with that: the hawkling is in sharper focus than the background.

Pair #5:

In this case I prefer the black and white. It seems to make the stripes of the tablecloth more like a background. The rounded and irregular shapes of the mushrooms show up well against the narrow stripes of the table covering. In the color picture the similar colors of the mushrooms and the stripes make the shape contrast less noticeable.

Pair #6:

This is a dud in black and white. I thought that the mountain had enough textural difference to show up but it does not. There is not enough contrast in brightness between the sky and the white of the mountain.

I think my personal favorite black and white is from a few Compose Yourself’s ago:

There are different textures in the rose, the leaves and the fence. The rose, which is the subject, is much brighter than the other two elements. This is another picture that illustrates Cee’s Composition points well.



Following a winding road to the light

This post is a response to Cee’s Compose Yourself Challenge: Week 22. There are three topics: bright spots, S-curves and flipping the horizontal axis.

Bright spots:

A bright yellow rose, the same one taken from 2 angles, the first one shows the sky, which competes for attention since it is as bright or brighter than the flower, the second, with just the fence in the background the flower really pops:

You can really see this by changing the pictures to black and white:

This is a potato blossom that I edited for another post, by trying to reduce brightness of the foliage so the blossoms dominate in a busy picture. I would say this move was moderately successful. There is still some competing brightness on  the leaves, but the only plant that catches your eye is the potato. In the first one there are two glowing spots (I think from my camera since there is nothing physical in those locations). In the second I cropped them out but there is a bit more bright foliage.


My take away from playing with this is: I find it really helpful to switch the picture to black and white mode (I use Adobe Lightroom and it is easy to do) to evaluate where the brightness leads my eye. My perception of cool and warm colors warps my sense of brightness (I didn’t realize that the sky was brighter than the rose until I changed to black and white).


Here are some very different pictures where a serpentine curve seems to be part of the composition.


Flipping the horizontal axis:

These are all of birds. I was hoping that the pictures of birds taking off out of the frame might look better flipped, but they don’t. To make these two look truly good I would have to keep the bird going the same way and somehow shift him or her to the left of the frame, possible, but a bit beyond my current skill level. I definitely favor the birds facing right.