I’ve been going through old photos from trips to Japan in 2007. Since they were taken with a low resolution, not-so-great camera I had to mess about with them to get back details, and remove chromatic aberration and noise. For these pictures I used Raw Therapee, Topaz DeNoise and Topaz Studio 2. In the end I used the impression filter in Topaz Studio 2 to give them a painterly effect, so the lack of precision is part of the art.
All these were taken in Japan, in 2007, with a not new at the time Canon A510. It was a long time ago but I believe that the three above are Shinto shrines in Nikko. The Shinto shrines contrast with the very famous, very ornate, World Heritage Bhuddist Temples. The header image is from Nara.
My first foray into both going off of auto and night photography, came from a desire to capture the Takae Lantern Festival in Nara Japan in 2007. These were taken with my trusty old Canon A510, using ISO 400 and a walking stick mono-pod.
Stairway to a small shrine.
Fields of lanterns.
Festival go-ers in yukata (summer kimono).
Elaborate lantern assembly.
Since then I’ve moved up, a bit, in both camera and skill, but I continue to use a walking stick/monopod and do not use a tripod. It just doesn’t work for me to carry one around. I am still quite challenged by dark pictures, in part because I don’t use a tripod and in part because I use a “bridge” camera, Nikon P610, which has a relatively small sensor so it wants longer shutter speeds and it gets grainy pretty fast at higher ISO settings.
I keep trying because I think night pictures often give you a better feel for the atmosphere of a place than day shots. People are off work and going about their business.
A few night street scenes in China and Japan:
Street vendor in Weifang China
Street and pedestrian traffic in Tai’an China
Beihai Lu in Weifang China.
Street scene in Takayama Japan.
Street scene in Takayama Japan.
I am often disappointed by the moon. My eye sees it bigger than my camera lens does:
The darkness of the night and motion of the boats in these pictures of cormorant fishing in Gifu, Japan, meant that all the pictures were blurry. I tried a “painterly” effect to make it seem like art instead of just a blurry picture.
I’m not a morning person so I only have sunrise pictures from far away places (where I have jet lag). Here are a few from Kenya.
The rocky road on I am currently on getting is a wordpress.org site pulled together from one I formed when I took a class in web site design over a year ago. While the site itself is premature, I am starting to post galleries of pictures which may become relevant to its purpose.
I have not mastered how to get things linked up between WordPress.com and the new site. On that site I have two gallery posts for this week’s Daily Post Photo challenge: The Road Taken. Links to those posts are below
Cee’s Black and White Challenge: Any geometric shape reminded me of a picture I took a long time ago in a place far, far away. The clean geometry of the cutouts in this wall at Himeji castle caught my fancy: they look so modern but are ancient. The cut outs are arrow “slits”.
It took me a while to locate it, these pictures were taken back in 2005, but they are in many ways timeless.
In Ainokura, Toyama, Japan they use rice paper for the windows of the old Gassho style houses. These houses are otherwise built very stoutly with thick thatched roofs. I found it curious that they used rice paper for the windows in such a cold environment. It probably helps with ventilation as well as letting in some light.
To my “western” eye the opaque white squares look strange.
Our relationships to Animals includes many types of interactions. A lot of times when I think about animals it is my cat, or my puppy friends. Tonight we watched traditional cormorant fishermen from the banks of the Nagara River in Gifu City, Japan, an off-beat example of working animals…and prey.
To quote the sightseeing map “Cormorant fishing master in grass skirt comically combined with an ancient headgear for court dress. While manipulating strings to control multiple cormorants who capture sweetfishes between their sharp beaks, a triune fishing by boat, master and cormorants can be achieved. This is a traditional fishing method survived longer than 1300 years.”