Sometimes it is the close ups that give you a real sense of place:
Shadows and textures really make the carving below. I think it looks more dramatic in black and white. The colors distract.
We spent a couple of weeks, amazing, delightful weeks, on the north island of New Zealand last January. It feels like more than 11 months ago. We were able to see our son over the Chinese New Year. He went back and while he was in the air going back the state department sent out its “do not travel to China” message. (I have some very pithy ideas about the US state department.)
Seeing him again is not in the cards in the foreseeable future, so I am sooo happy that we had that time right before everything closed down.
My rose is about done now after a windy, rainy week and last light the wind changed and it’s gotten fairly chilly. Still it was a nice little bloom. I’ve been playing with different ways to use the picture of it.
Here are a couple of different black and white treatments. One on the lighter side and one on the darker side.
Since last February I’ve been experimenting a lot with different photo processing methods. I’ve spent a lot of time looking at different ways of creating and using monochrome…you’d think it would be simpler in black and white. But there are so many different ways to take the color out and adjust the light and dark that it seems harder than plain old color. Lately I’ve been rather liking applying the monochrome partially or overlaying the monochrome and color photos with different layer blend modes.